MAY/JUNE DOUBLE ISSUE
Poetry I (3 from David Kowalczyk)
| 1 | A Sober Riot of Words by David Kowalczyk
| 2 | Life After Life by David Kowalczyk
| 3 | Hegira by David Kowalczyk
Poetry II (3 from Christian Ward)
| 4 | Suburban Deviancy by Christian Ward
| 5 | Orientation by Christian Ward
| 6 | Lickable Fuck (Or love in the age of Cyberpunk) by Christian Ward
Poetic Flash
| 7 | Genesis Ink by Dave Macpherson
Poetry III
| 8 | DUEL BETWEEN LITERARY AND NUMBER MEN by Sam Vargo
Poetry IV (3 from Ryan C. Pirosch)
| 9 | (no) one is leaving by Ryan C. Pirosch
| 10 | soma by Ryan C. Pirosch
| 11 | she (like she) by Ryan C. Pirosch
Poetry V (2 from Zach Brennan)
| 12 | 17 by Zach Brennan
| 13 | Yea or Nay by Zach Brennan
Poetry VI (3 from Nicole Kuwik)
| 14 | they want dates by Nicole Kuwik
| 15 | this morning is really afternoon by Nicole Kuwik
| 16 | those bananas have brown spots
Painting
| 17 | Hold by Loren Marks
Poetry VII
| 18 | Steps on High by Richard L. Provencher
Prose Poetry
| 19 | Three Gorges Dam by Paul Sacksteder
Poetry VIII (3 from Michael D. Sullivan)
| 20 | The Silent Cobble Stone Blues by Michael D. Sullivan
| 21 | the yesterday stork by Michael D. Sullivan
| 22 | rotten apples by Michael D. Sullivan
Poetry IX (3 from John Grochalski)
| 23 | we swallow the nights by John Grochalski
| 24 | more than by John Grochalski
| 25 | on not shaving by John Grochalski
Poetry X
| 26 | AT THE EDGE OF HISTORY by Howie Good
| 27 | SLEEP RITUALS OF THE DEAD by Howie Good
about the authors
David Kowalczyk lives and writes in Batavia, New York. He has taught English in South Korea and Guatemala, as well as at several colleges in the states. His poetry and fiction have appeared in five anthologies and over fifty magazines. He was founding editor of Gentle Strength Quarterly.
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Christian Ward is a writer from London. His chapbook, Dark Matter Lullabies, was published earlier this year and can be read on Why Vandalism? (see 'E-Chaps/E-Books').
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Dave Macpherson lives with his wife Heather in Worcester, Ma. He is a columnist for gotpoetry.com. He is also an assistant editor for The Ballard Street Poetry Journal. His fiction has appeared in The Worcester Review, Everyday Fiction, 13 Human Souls, The Flash Flood, Tiny Lights, The Binnacle, LitBits, SkiveFlash, Haggard and Halloo and Flash Quake, among others.
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Sam Vargo holds an MA in English from Youngstown State University in Youngstown, Ohio. He's worked as a newspaper writer and editor, an adjunct English instructor at several universities, state and private colleges and community colleges, and his hobbies include writing, writing and writing. His first major work, "Electric Onion Head and the Rotating Cyclops of the Month," will be published as an online collection of short stories by Literary Road this summer.
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Ryan C. Pirosch is an undergraduate student working toward an English B.A. and a writing minor at Buffalo State College.
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Zach Brennan is a writer living in Washington, D.C. and can be contacted at: shelley.percy.b[replace w/ 'at' symbol]gmail.com
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Nicole Kuwik was born in Cleveland and misses fireflies in the summer. She spends a lot of time with a fish named Mortimer, and thinks all people who write poetry should develop a taste for apple brandy. She thanks you for reading her work and hopes you like it, at least a little bit.
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Loren Marks is an artist who lives and works out of St. Petersburg, Florida and New York City. Her artistic process and continuing series of paintings and sculptures named under the moniker, 'Sacred Art,' embodies working on her subjects " from the INSIDE OUT rather than the outside in." More from Loren in a future issue of WV?...
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Richard L. Provencher has poems published in The New Quarterly, The Windsor Review, Caper Times, Tower Poetry, PusanWeb, Carousel, Quills Poetry, Neiderngasse, Pittsburgh Quarterly, Dublin Quarterly, The Sentinel, Thorn and Rose, PusanWeb, Poetry Sky, and many others. His poetry Chapbook “In the Light of Day” is available from Mercutio Press. He is a member of the Writers’ Federation of Nova Scotia. Richard and his wife, Esther, live in Truro, Nova Scotia.”
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Paul Sacksteder is a writer who is finishing his MFA in Las Vegas. He likes to go birdwatching.
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Michael D. Sullivan was born and raised in St. Louis, Mo and currently resides in San Antonio, TX. The three poems presented in this issue of WV? are his first published works.
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John Grochalski is a writer whose column, 'The Lost Yinzer,' appears quarterly in The New Yinzer (www.newyinzer.com). His upcoming book of poems The Noose Doesn't Get Any Looser After You Punch Out is coming out via Six Gallery Press in 2008.
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Howie Good, a journalism professor at the State University of New York at New Paltz, is the author of three poetry chapbooks, Death of the Frog Prince (2004) and Heartland (2007), both from FootHills Publishing, and Strangers & Angels (2007) from Scintillating Publications. He was recently nominated for the second time for a Pushcart Prize.
A Sober Riot of Words
by David Kowalczyk
Agnomen amaranthine atavistic auscultation
Chrematistics claustrophobic concubine devious
Doyenne embryonic factotum farthing
Gallinipper gewgaw gnomic gossamer
Harbinger imbroglio intrepid keen
Lubricious migniard mordacious nimbus
Peccadillo pellucid philemotology puissant
Purloin redolent salacious subversive
Sumptuous suskin toccata traduce
Trepidation vagary woof zaftig
2
Life After Life
by David Kowalczyk
suddenly discarnate
i find myself
laughing at everything
3
Hegira
by David Kowalczyk
Sometimes
I doubt there’s more
to life than what
meets the eye.
Then, I sense
mystery in the laughter
of a child, and my
spirit is renewed.
I want to laugh again.
The way I laughed
as a child.
Sin razones.
4
Suburban Deviancy
by Christian Ward
deviancy is a move towards
the norm
high density multiple piercings
expected to hardcore urban
environment organized
around high-resolution chubby
regional malls and mixed zone
development
deviancy is a move towards
the norm
associated human remains
documented tit-torture
corporate goths receive
some kind of pleasure
from mosh pit of endorphins
deviancy is a move towards
the norm
god bless america etcetera
5
Orientation
by
oriented material intended sexually
THAT this site contains Please note.
to view any country or locale
is specifically prohibited by law
for individuals of legal age.
explicit material (local and national laws)
determined by the region
accessing which you reside.
material not yet 18 offends you,
If you are adult material,
if you are this site where from adult GO
if
or
NO FURTHER!
6
Lickable Fuck (Or love in the age of Cyberpunk)
by Christian Ward
Cholera-tongued moon,
how you reach me
through London's steampunk
vista of zeppelin-round
skyscrapers and lickable
cathedrals. How you reach me
through the labyrinth
of mechanical Minotaurs,
and stores where Dante
is on display 24/7. Cholera
tongued moon, how you reach me.
7
Genesis Ink
by
The shop is called Genesis Ink. They answer the phone by saying, “Thank you for calling Genesis Ink. In the beginning there was blank skin after the fall, there is art. How may I help you?” They say this every call; its their thing.
Adam is the owner of record, but he never works the needle. That is not his skill set. Eve makes the creation myths here. With her shaved head and chewed fingernails, you just know you will put your fate in her.
You don’t get to pick what’s going on, you just show her the skin you want anointed and she closes her eyes and applies the stabbing kiss. I’m not going to lie to you. It hurts. It hurts hard. And she ain’t no speed queen. She is slow and plodding, like dogma.
When she puts down the needle you are near complete. Adam will then toss aside the cycle magazine he was reading and looks at what his wife brought on your flesh and name it. “That is called Sunset.” “That’s Turbulence Everlasting.” “Broken Love,” “That’s Lightning Strike.” “That, that is Max.” You pay Adam more for the naming than the ink.
And you forget how to leave. You sit in the front of the store and stare at the stars painted on the wall.
Near midnight, Eve flips pages of an old porno mag and says to her husband, “He was here again. Came when you went to the bank. Your Old Man. Slamming the door open. Sat himself in the chair. Pointed to his arm, the only blank skin left on him and he said make something perfect right there. He waited. I waited. He said anything pretty Eve, just not a snake or an olive branch. I guess that was your Old Man trying to be funny. He said I was one stubborn bitch. I told him thanks. He said I could sure hold a grudge. I told him I know. He swore at me and split. I can always out wait him.”
Adam says nothing. He picks up the spray cleaner and makes everything in the shop hygienic and pure again.
Adam looks up at the clock and says, “Midnight. All you pretty canvasses need to get out of my store. “ This is how he politely kicks your ass out. On the curb, you feel nothing, not even the new ink on your arm. You feel nothing, but banished and free.
8
DUEL BETWEEN LITERARY AND NUMBER MEN
by
So queasy and easy is Picasso’s ease
El huncho so horrible and debasing to the touch
So mathematical figures
Don’t match up to the literary or musical
Or visual like Pablo’s pecan pelican he never etched
Or sketched
But might have meant to
In some very surreal novel made by a madman drinking
Sangria so sweet and sloppy
Like rhubarb pie near the caviar
The number men line up behind the artists
But did you ever try to eat words like numbers?
All flash, no cash
These semantics we pour like cement
Over spinning gaseous ice rings out in orbit
While the number men
Work quietly in the dark
The world spins round and round them
So humbly
So easily
And we try to be so artistically noble
In colloquialisms and Papal Bulls
I read matchstick labels if Pynchon’s not handy
So slick to the touch all the characters,
Plots and themes
They almost jump off the page as numbers grow and grow
And I growl on page 1,234-5
After I realize it all went up in a puff of belched air
(no) one is leaving
by Ryan C. Pirosch
i wept once (only once -)
for the tragedy of birth
(irony reached a ridiculous pitch)
not understanding the folly of understanding
what isn't to be understood
cleanse my lips with coal
(if it is on fire it is it is clean)
their is no comprehen(s[c]ion -
born into [no]thing (no) one is leaving
with anything anyway urbanascetic in the basement
[kerouac saw the ikon and the poet of rainbows
came close to approaching understanding but appreciated
well enough for all that he too was the poet of rainbows]
without coal upon my lips
i sprout dagger tips
(painful toothchips)
& thus understanding slips
[silently in morning the stock market slips millions are lost
from the flock]
10
soma
by Ryan C. Pirosch
[or, soma]
incissive victories, cutting
to the heart [onward to[ward the darkness]]
gloria in excelsis soma, so they say - visceral |is what we want| guts[?]
(hemingway wrestles bulls we wrestle the bulls
shit)
11
she (like she)
by Ryan C. Pirosch
[or, An Unassertive Description of a Crocodile]
like a presumed appearance
she (like she) made she herself
(bow now to con(sequence))
Frost's meter was no more meeter
than his rhyme lodged in rime
than she is [then she is] lodged
than she is [then she is] in time
(standing in for metaphysical ass-
assination
i [present to you] |love| you)
12
17
by Zach Brennan
of course your dog's name is Kafka
and it wears its Alaskan fur
on your walks in front of me, between
the lights turning your hair
into a more mauve shade
of bleach and I catch a glimpse
of you looking back for me with
Kafka's tail between its legs,
the images are identical.
Even now that I
know you and have slept between
your soft sheets, no longer still wondering
what you think of my heavy
melon of a head or the time
you read to Kafka from the Metamorphosis
and said you could relate, or when you said
that you were worried about a dream
where you'd forgotten how to photograph
a desert landscape, and I woke you up and
said you've never been good with desert landscapes
and you asked how far we were from Death Valley.
13
Yea or Nay
by
You will finish to make sure
you haven't missed anything more
than I've found or maybe
you'll make sure I haven't found it,
but at least you'll be satisfied
in the end, I mean,
you've made it, and if you haven't,
at least you didn't
miss anything.
14
they want dates
by
An error occured
when I was searching
for flights
"Please enter the date
you would like to
return from your trip. (Message 1046)"
15
this morning is really afternoon
The Francophile says to me
around noon,
Did you notice the coffee pot
isn't spilling today?
He is like a big white cat
with blue eyes living
above a bread bakery
in Provence (when he thinks its Paris)
with a plaid driver's cap and
whiskers whiskers whiskers
won't you come in?
(Well, no I didn't notice, but
I don't trust that son of a bitch
either way
you wait until
tomorrow once you've gotten
used to the fact, and you'll find
your shirt and toes covered in
coffee when you're late for work
at something like 9 in the morning.)
He adds soy and hands me a cup
it's the one with the polka dots on it
and I cross my ankles on his lap
We stare at each other for a while
and I wonder just how long I have
before the plastic switch stops
turning red altogether and
my pillow
stops smelling like a baguette.
16
those bananas have brown spots
by
I have concluded that
no one should know what
bad bananas and stolen tortilla chips
taste like together (babyfoodburrito) and
this is
because
no one should eat this for dinner
alone
with the morning coffee
My life has churned a set of
attachments into this odd mess
of french-bread smelling boys
and freckled swamp visitors
from Brazil
Stomach ache and anxious afternoon
What do I do with it? I am
writhing in this clutter
waiting for a metallic knock
that could
only
bring
blue eyes but
why?
17

Hold by Loren Marks, oil and silver leaf on canvas, 16" x 20"
18
by Richard L. Provencher
The Dash-8 aircraft hovers
in a seagull imitation.
Engines glisten
as sun's nourishing rays cover
a friendship of farms
stitched on patterns below.
From my window perch clouds
form cotton balls of
misshapen puffs, pout
across the sky
and our plane a glider
at 18,000 feet, descending.
Roads inch across
green swaths of land
as an amalgam of colour
on a busy pallet
civilization’s photo album of
cottages circle lakes
poured into
the sink-hole of woods.
An earthly landing, a relief
from winded sky.
19
by Paul Sacksteder
In a drop of water, the molecules on the surface are attracted inwardly by the pull of other molecules within the bead. This pull is a result of the polarity within the molecule itself. Oxygen pulls the electrons closer to its larger nucleus creating a negative charge, while the lack of electrons creates a positive charge around the hydrogen atoms. Each individual molecule is then drawn together through the affinity for the opposite charge.
Imagine a dewdrop hanging precariously to a blade of grass. The surface is smooth. Tenuous. Now picture it falling. It holds its shape. Briefly, you might see your own reflection.
The Three Gorges Dam Project will be 1.2 miles across and 600 feet high. It will create a reservoir 360 miles long and will submerge 632 square kilometers, 113 cities, 140 towns, 1352 villages, 657 factories, and will ultimately cause the relocation of 1.3 million people.
The colder water is carried by convection currents to the bottom of the dam where it will eventually be released. The release creates electricity. The release creates a river. Release. A natural phenomenon. Millions of people visit the dam every year. The water is clearer than before. The fish disappear. Questions will always arise.
A push. A pull. There is an attraction from inside. The persuasion of differences creates a new bond and, to an extent, elasticity. I always thought the Yangtze River began in Kazakhstan, but it doesn’t. Think of when you were certain. What did it look like? I think of the world and all of its oceans. There is too much space. There is so much space.
20
by Michael D. Sullivan
i whisper loud enough for all to hear
i am the voice of those who don’t listen
speaking gently like the soft vibrations
received from passing over a worn forgotten
patch of cobble stone
always out of mind
until
a brief moment floods your soul
drowning you in a warm flow
carrying you away
briskly
21
the yesterday stork
by Michael D. Sullivan
yesterday
the crane alarming
flew away
i spent an eternity searching for discarded
and lost
pennies
on the pavement
the flustered crane fluttered off
then i chucked them in
a pale stagnant creek
full of envious scum puddles
and the rewinding crane or
stork
rotten apples
by Michael D. Sullivan
went to the apple store today
needed my ipod fix(ed)
everyone there was cool
cooler than me
way cooler than me
the counter i waited at
was a bar
sans drinks
and i couldn’t help but smile
as my eyes bore witness to the hip cats
and chilling vibes
digitalized
it was the new cafe
but coffee was soooooo last week
we swallow the nights
by John Grochalski
we swallow the nights
with stiff drinks
and we sop it up with bread.
we swallow the nights
with the radio and rain.
we swallow the nights
singing old songs
in thick voices.
we swallow the nights
laughing at the genius
of the dead.
we swallow the nights
with bliss
with a sprinkle of garlic
with a jigger of salt
and another ice cube.
we swallow the nights
that the phone rings.
we swallow the nights
and don't answer the door.
we swallow the nights
of sanity and madness
and silence.
we swallow the nights
on loud streets
on loud blocks
in cities that have gone to
hell and won't come back.
we swallow the nights
ravenously.
nights make good meals.
we swallow the nights whole.
but they never quell our hunger
or abate the fear
of being eaten alive
by all the rest
the very next day.
we swallow the nights
but are never truly free.
more than
by John Grochalski
it is more than falling
into a booze coma
and calling it sleep.
it is more than waking at 3 a.m.
in sweat and terror.
it is more than wrestling
with poems and prose
before you can take on the sun.
it is more than hot water
burning the back
and the built-up mildew
cracking between the toes
in the shower.
it is more than a morning scotch,
the journal, and the weather report.
it is more than baseball news.
it is more than contemplating
american anti-intellectualism
on a stalled train,
as all of brooklyn goes mad
staring at their clocks and watches.
it is more than getting caught in cold rain
on nostrand avenue,
having the water bring up the dirt
in your denim.
it is more than smelling of dust.
it is more than sitting in the mix
of another day, composing silliness
as a means to compensate,
knowing that all you've written above
will happen again tomorrow
or maybe the next day.
it is more than being one day worse off
than the last.
it is more than denying god for a little peace
and quiet.
it is more than all of that.
but it is less than that too.
on not shaving
by John Grochalski
we have so little.
i mean choice.
we have so little choice.
what we want to eat
is even being taken away
these days.
we have so little.
and more and more
is falling off
every night
the sun hides its ugly face.
this morning
peering out the bathroom
window, lathered,
i watched two men stop
to greet each other
in the rain.
they laughed and talked
as the drops fell all over
them.
they looked happy
and well off.
they looked like
they had too much.
i wanted to kill them.
but i chose not to do it.
and i decided not to shave off
my one week old beard
as well.
26
AT THE EDGE OF HISTORY
by Howie Good
I am not really here nor
will I be,
but nonetheless
a bum arrives out of
the thin rain
pushing a shopping cart
jammed with abandoned treasures,
old newspapers, broken idols,
the pale, upturned faces of empties,
and when I lay down
in the afternoon,
suffering from an unspecified
heartache,
I can feel through the floor
of all fifty states
the sobbing of an orphan engine.
SLEEP RITUALS OF THE DEAD
by Howie Good
Tonight, like most nights, she'll go to bed first,
and I'll read in the kitchen, where the light is good,
until tired enough to sleep, and when I wake up
without the alarm and somehow before her,
the dawn will be full of birdsong, and the birdsong,
as happens, full of primitive and gratuitous grief.